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edward.maurath

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"

edward.maurath

5:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
Violoncello Continuo	23	0	7	5	97%
Arsace	18	0	6	7	74%
Violini	21	5	4	4	66%
Contrabassi Continuo	19	0	4	5	63%
Contrabasso Continuo	19	0	4	5	63%
Violoncelli Continuo	19	0	4	5	63%

HWV8A1N7 - "Lontan del mio tesoro" in C Major

edward.maurath

5:20	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	40	3	8	70%
	23	24	4	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	40	3	8	70%
	23	24	4	5	100%
Violoncello	20	0	3	5	100%
Mirtillo	17	0	6	6	76%
Contrabasses	8	0	0	5	10%
Viola	9	0	0	4	10%
Violins 1	9	0	0	5	10%
Violins 2	10	0	0	4	10%
Violoncellos	8	0	0	5	10%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

Händel: "Samson," (oratorio), "Let the Bright Seraphim"

edward.maurath

3:59	Est. Play Time
76	Measures
	1,390Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
Violas	17	0	5	6	72%
Vln 2	23	0	6	6	72%
Harpsi	17	15	3	7	71%
	20	16	3	4	61%
Israelite Woman	16	0	4	9	70%
Celli	20	0	4	5	59%
Kontrebaß	20	0	4	5	59%
Trumpet	10	0	1	8	51%
Organ with out pedals (Continuo)	16	12	5	5	22%
	15	8	3	3	22%

"Da tempeste il legno infranto" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

8:36	Est. Play Time
100	Measures
	2,042Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
Harp Continuo	21	46	4	6	100%
	20	54	4	6	99%
Violoncello Continuo	19	0	4	5	99%
Violini	19	16	3	5	76%
Contrabassi Continuo	16	0	2	3	75%
Violoncelli Continuo	16	0	2	3	75%
Cleopatra	16	0	2	5	72%

BWV245N10 - Derselbige Jünger war dem Hohenpriester bekannt

edward.maurath

3:31	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
	16	2	6	6	70%
Evangelista	17	0	6	5	65%
Ancilla Petrus Jesus	24	0	8	4	43%
Organo Continuo	14	20	6	5	37%
	11	0	2	4	37%
Servus	6	0	3	2	7%

"Scepter und Kron," an aria from Handel's first Opera, "Almira."

edward.maurath

4:36	Est. Play Time
46	Measures
	1,771Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
Cembalo (Continuo)	21	45	5	7	87%
	24	36	4	7	87%
Harp (Continuo)	18	33	3	6	80%
	18	24	3	6	74%
Contrabassi (Continuo)	13	0	2	5	72%
Violini	17	0	3	5	72%
Violoncelli (Continuo)	13	0	2	5	72%
Osman	16	0	5	6	39%
Bassoon (Continuo)	13	0	2	5	37%
	13	0	2	5	37%
Oboe	12	0	2	5	37%
	12	0	1	5	37%
Violas	9	0	1	4	20%
Consalvo	8	0	0	2	11%

HWV17a2n16y1724: Cleopatra, "Venere belle" in A Major

edward.maurath

11:30	Est. Play Time
123	Measures
	1,072Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	31	5	5	62%
	26	50	8	5	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	31	5	5	62%
	26	50	8	5	90%
Harp	17	18	3	5	45%
	25	61	8	5	90%
Continuo	20	0	5	5	90%
Violino solo	22	0	6	6	85%
Cleopatra	16	0	5	5	67%
Violini	17	0	1	5	38%
Celli	12	0	0	5	35%
Kontrebaß	12	0	0	5	35%

"Hai tanto rapido" with ballet from Terpsichore, prologue to 'Il Pastor Fido,' HWV 8 (1734)

edward.maurath

6:33	Est. Play Time
142	Measures
	1,083Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
Cembalo (Continuo)	23	45	4	6	50%
	19	13	2	3	56%
Violoncello (Continuo)	16	0	1	3	56%
Violas	12	0	1	5	53%
Contrabassi (Contrabassi)	14	0	1	3	52%
Violoncelli (Continuo)	14	0	1	3	52%
Soprano as Apollo	12	0	1	6	50%
Flute	12	0	1	7	44%
	13	0	1	5	44%

BWV245N2 - EVANGELIST Jesus ging mit seinen Jungern

edward.maurath

3:07	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	21	0	8	5	100%
Evangelist	16	0	5	4	77%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	21	0	8	5	100%
Evangelist	16	0	5	4	77%
Cembalo Continuo	16	30	7	4	67%
	21	2	9	4	72%
Organo Continuo	20	18	6	4	49%
	20	3	5	4	51%
	18	0	5	4	49%
Bassoon Continuo	16	0	3	3	26%
Contrabassi Continuo	16	0	3	3	26%
Oboe 1	17	0	5	3	26%
Viole	17	0	3	2	26%
Violini 1	20	0	3	2	26%
Violini 2	16	0	3	2	26%
Violoncelli Continuo	16	0	3	3	26%
Oboe 2	17	0	5	3	23%
Alti	11	0	2	5	21%
Bassi	15	0	4	4	21%
Jesus	12	0	2	4	21%
Soprani	10	0	1	4	21%
Tenori	12	0	3	4	21%
Flute 1	14	0	1	2	13%
Flute 2	14	0	1	2	13%

Handel - HWV 61, Overture in e minor

edward.maurath

6:09	Est. Play Time
70	Measures
	2,097Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
Vln 2	29	0	11	10	96%
VLN 3	20	2	6	9	91%
Harpsi	19	44	4	8	51%
	25	14	9	9	87%
Cello	23	0	8	9	87%
Kontrebaß	23	0	8	9	87%
OBO 1	22	1	8	10	83%
OBO 2	22	1	8	10	83%
Bassoon	23	0	8	9	79%
Organ	15	21	2	8	38%
	17	8	2	7	29%

HWV56N05Y1742 - Mesiah - Thus saith the Lord

edward.maurath

1:40	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	13	0	3	4	94%
Cello	18	0	4	3	94%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	13	0	3	4	94%
Cello	18	0	4	3	94%
Viola	10	0	0	3	94%
Violin I	14	0	2	3	94%
Violin II	13	0	3	3	94%
Violone	18	0	4	3	94%
BC LH	18	20	5	5	90%
BC RH	16	18	5	4	61%

"In mano al mio sposo più vago," act 1, "Rodrigo," HWV 5 (1707)

edward.maurath

4:51	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	16	6	6	88%
	20	27	6	4	77%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	16	6	6	88%
	20	27	6	4	77%
Harp (Continuo)	21	16	6	6	88%
	20	27	6	4	77%
Violoncello (Continuo)	17	0	4	4	80%
Esilena	15	0	4	7	76%
Violins 1	16	0	0	6	68%
Violins 2	12	0	0	5	68%
Contrabass (Continuo)	12	0	0	4	51%
Contrabasses (Continuo)	12	0	0	4	51%
Violoncellos (Continuo)	12	0	0	4	51%

"Fra le spine offre gl'allori di sua man la gloria a noi" from 'Rodrigo,' HWV 5 (1707)

edward.maurath

3:46	Est. Play Time
74	Measures
	1,338Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	22	0	6	5	97%
Violin	28	0	9	6	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	22	0	6	5	97%
Violin	28	0	9	6	96%
Cembalo (Continuo)	21	39	7	5	64%
	19	17	4	5	65%
Harp (Continuo)	21	39	7	5	64%
	19	17	4	5	65%
Contrabasses (Continuo)	17	0	3	5	65%
Violoncello (Continuo)	17	0	3	5	65%
Violoncellos (Continuo)	18	0	3	5	65%
Bassoon	18	0	3	5	55%
Oboe	24	0	7	5	55%
Giuliano	13	0	4	4	54%
Violins	24	0	7	5	54%

BWV245N16 - Da Führeten sie Jesum von Kaiphas vor das Richthaus

edward.maurath

5:57	Est. Play Time
80	Measures
	2,046Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi	19	0	6	7	70%
Organo Continuo	17	13	6	7	65%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi	19	0	6	7	70%
Organo Continuo	17	13	6	7	65%
	23	5	8	6	66%
FlautI TraversI	23	0	8	3	58%
Violin 1	23	0	8	5	58%
Alti	16	0	6	6	56%
Bassono Grosso Continuo	21	0	7	5	56%
Bassoon Continuo	22	0	7	6	56%
Contrabassi Continuo	21	0	7	5	56%
Oboe 1	20	0	7	5	56%
Oboe 2	16	0	6	6	56%
Soprani	20	0	7	5	56%
Violin 2	16	0	6	6	56%
Violoncelli Continuo	22	0	7	6	56%
Tenori	18	0	7	4	55%
Viola	18	0	7	4	55%
Violoncello Continuo	17	0	5	5	48%
Cembalo Continuo	19	43	7	7	41%
	17	0	5	7	41%
Evangelista	16	0	6	5	31%
Pilatus	13	0	5	4	15%